Dragon audit comic movie#She is a movie star and this is a movie that knows it. Yeoh is the anchor of the film, given a role that showcases her wide range of talents, from her fine martial art skills to her superb comic timing to her ability to excavate endless depths of rich human emotion often just from a glance or a reaction. Match cuts seamlessly connect the universes together, while playful cuts help emphasize the humor at the heart of the film.īorn from choices both made and not made, each universe has a distinct look and feel, with winking film references ranging from “ The Matrix” to “ The Fall” to “ 2001: A Space Odyssey” to “In The Mood For Love” to “ Ratatouille.” Even Michelle Yeoh’s own legacy finds its way into the film with loving callbacks to her Hong Kong action film days and the wuxia classic “ Crouching Tiger, Hidden Dragon.” The fight sequences, choreographed by Andy and Brian Le, have a balletic beauty to them, wisely shot by cinematographer Larkin Seiple in wide shots allowing whole bodies to fill the frame. Production designer Jason Kisvarday crafts a seemingly endless cubicle-filled office where everything from the blade of a paper trimmer to a butt plug shaped auditor of the year awards become fair game in a battle to save the universe.Įditor Paul Rogers' breakneck pace matches the script’s frenetic dialogue, with layers of universes simultaneously folding into each other while also propelling Evelyn’s internal journey. Most of the action is set in an IRS office building in Simi Valley (which, as a Californian, had me in stitches), where Evelyn must battle IRS agent Diedre ( Jamie Lee Curtis, having the time of her life), a troop of security guards, and possibly everyone else she’s ever met. Soon, Evelyn is thrust into a universe-hopping adventure that has her questioning everything she thought she knew about her life, her failures, and her love for her family. Here humans have learned to “verse jump” and are threatened by an omniverse agent of chaos known as Jobu Tupaki. Just as Evelyn begins to feel overwhelmed by everything happening in her life she’s visited by another version of Waymond from what he calls the Alpha verse. On top of juggling her father’s visit and the tax audit, Evelyn’s sullen daughter Joy wants to bring her girlfriend Becky ( Tallie Medel) to the party and her husband wants to talk about the state of their marriage. She’s preparing for a meeting with an auditor while simultaneously trying to cook food for a Chinese New Year party that will live up to the high standards of her visiting father Gong Gong ( James Hong, wiley as ever). As the camera literally zooms through the mirror, Evelyn’s smile fades, now seated at a table awash with business receipts. We see their smiling faces reflected in a mirror on their living room wall. We first meet her enjoying a happy moment with her husband Waymond ( Ke Huy Quan) and their daughter Joy ( Stephanie Hsu). In this love letter to genre cinema, Michelle Yeoh gives a virtuoso performance as Evelyn Wang, a weary owner of a laundromat under IRS audit. That is, until they take an emotional, philosophical, and deeply weird trip through the looking glass into the multiverse and discover metaphysical wisdom along the way. At least that’s where the characters in writer/directors Daniel Kwan and Daniel Scheinert, collectively known as Daniels, new film “Everything Everywhere All at Once” find themselves initially. Few things in life are certain besides death, taxes, and maybe the never-ending task that is doing laundry.
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